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EDGAR MARTINS: This Is Not A HouseEssays by Sacha Craddock, Peter D. Osborne The US subprime mortgage crisis, which had its roots in the closing years of the twentieth century, exposed pervasive weaknesses in the regulation of the financial industry and the global financial system. At the end of 2008, as the fall out from the crisis became increasingly widely felt, Edgar Martins was commissioned by the New York Times Magazine to photograph across the US in eight separate states and

Previous solo exhibitions include Portugal

Using unwieldy wet-plate collodion negatives and huge wooden cameras he shot landscapes

Arranged in six sequences

The Automaton is a photographic narrative from beginning to end

A Question Of England

the need for home grown produce during both World Wars

Moderna Museet / Fotografiska Museet

Braden shows how a casual glance

the book that helped to launch his career when he self-published it back in 1986

Widely acknowledged as one of the most influential UK photographers and teachers of photography of the last forty years

The Telegraph - best photo books 2013

these photographs depict ‘working from home’ in an unromanticised sense