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Rwanda 2004: Vestiges of a GenocideFrom award winning photographer Pieter Hugo bears unflinching witness to a landscape still scarred by genocide 10 years after the fact. Under Hugo's deferential gaze, it is not the visceral horrors that shock, but the lingering ephemera of everyday life that haunt the periphery. Published for the first time in a limited edition of 500 and accompanied by a specially commissioned essay from investigative journalist Linda Melvern, Rwanda 2004: Vestiges

it brings to life a deliriously eccentric

revealing not only how wrong critics’ interpretations have been

The viewer is encouraged to travel with her into an imaginary world where everything is in flux and anything is possible

Distilled into three distinct aroma experiences presented in empty poppers bottles used by myself during party and/or play

It experiments with the ‘museum shop’ as a site of production and exchange

Rodan Kane Hart (b

000 negatives

• 65% Cotton

I love how they are authentic and honest about their life stories

Adrian Kohler

including the Museum of Modern Art (New York)

later writing